By john. Door. Published at Thursday, November 01st, 2018 - 14:51:21 PM.
Sliding glass door : A sliding glass door or patio door, is a type of sliding door in architecture and construction, is a large glass window opening in a structure that provide door access from a room to the outdoors, fresh air, and copious natural light. A sliding glass door is usually considered a single unit consisting of two panel sections, one being fixed and one a being mobile to slide open. Another design, a wall sized glass pocket door has one or more panels movable and sliding into wall pockets, completely disappearing for a wide open indoor-outdoor room experience. The sliding glass door was introduced as a significant element of pre-war International style architecture in Europe and North America. Their precedent is the sliding Shōjiand Fusuma panel door in traditional Japanese architecture. The post-war building boom in modernist and Mid-century modern styles, and on to suburban ranch-style tract houses, multi-unit housing, and hotel-motelchains has made them a standard element in residential and hospitality building construction in many regions and countries.
History Of Door : The earliest in records are those represented in the paintings of some Egyptian tombs, in which they are shown as single or double doors, each in a single piece of wood. Doors were once believed to be the literal doorway to the afterlife, and some doors leading to important places included designs of the afterlife. In Egypt, where the climate is intensely dry, there would be no fear of their warping, but in other countries it would be necessary to frame them, which according to Vitruvius (iv. 6.) was done with stiles (sea/si) and rails (see: Frame and panel): the spaces enclosed being filled with panels (tympana) let into grooves made in the stiles and rails. The stiles were the vertical boards, one of which, tenoned or hinged, is known as the hanging stile, the other as the middle or meeting stile. The horizontal cross pieces are the top rail, bottom rail, and middle or intermediate rails. The most ancient doors were made of timber, such as those referred to in the Biblical depiction of King Solomons temple being in olive wood (I Kings vi. 31-35), which were carved and overlaid with gold. The doors dwelt upon in Homer would appear to have been cased in silver or brass. Besides olive wood, elm, cedar, oak and cypress were used. A 5,000-year-old door has been found by archaeologists in Switzerland. All ancient doors were hung by pivots at the top and bottom of the hanging stile which worked in sockets in the lintel and sill, the latter being always in some hard stone such as basalt or granite. Those found at Nippur by Dr. Hilprecht dating from 2000 B.C. were in dolerite. The tenons of the gates at Balawat were sheathed with bronze (now in the British Museum). These doors or gates were hung in two leaves, each about 8 ft 4 in (2.54 m) wide and 27 ft (8.2 m). high; they were encased with bronze bands or strips, 10 in. high, covered with repouss decoration of figures, etc. The wood doors would seem to have been about 3 in. thick, but the hanging stile was over 14 inches (360 mm) diameter. Other sheathings of various sizes in bronze have been found, which proves this to have been the universal method adopted to protect the wood pivots. In the Hauran in Syria, where timber is scarce the doors were made in stone, and one measuring 5 ft 4 in (1.63 m) by 2 ft 7 in (0.79 m) is in the British Museum; the band on the meeting stile shows that it was one of the leaves of a double door. At Kuffeir near Bostra in Syria, Burckhardt found stone doors, 9 to 10 ft (3.0 m). high, being the entrance doors of the town. In Etruria many stone doors are referred to by Dennis. The ancient Greek and Roman doors were either single doors, double doors, triple doors, sliding doors or folding doors, in the last case the leaves were hinged and folded back. In Eumachia, is a painting of a door with three leaves. In the tomb of Theron at Agrigentum there is a single four-panel door carved in stone. In the Blundell collection is a bas-relief of a temple with double doors, each leaf with five panels. Among existing examples, the bronze doors in the church of SS. Cosmas and Damiano, in Rome, are important examples of Roman metal work of the best period; they are in two leaves, each with two panels, and are framed in bronze. Those of the Pantheon are similar in design, with narrow horizontal panels in addition, at the top, bottom and middle. Two other bronze doors of the Roman period are in the Lateran Basilica. The Greek scholar Heron of Alexandria created the earliest known automatic door in the 1st century AD during the era of Roman Egypt. The first foot-sensor-activated automatic door was made in China during the reign of Emperor Yang of Sui (r. 604–618), who had one installed for his royal library. The first automatic gate operators were later created in 1206 by Arab inventor Al-Jazari. Copper and its alloys were integral in medieval architecture. The doors of the church of the Nativity at Bethlehem (6th century) are covered with plates of bronze, cut out in patterns. Those of Hagia Sophia at Constantinople, of the 8th and 9th century, are wrought in bronze, and the west doors of the cathedral of Aix-la-Chapelle (9th century), of similar manufacture, were probably brought from Constantinople, as also some of those in St. Marks, Venice. The bronze doors on the Aachen Cathedral in Germany date back to about AD 800. Bronze baptistery doors at the Cathedral of Florence were completed in 1423 by Ghiberti.(For more information, see: Copper in architecture). Of the 11th and 12th centuries there are numerous examples of bronze doors, the earliest being one at Hildesheim, Germany(1015). The Hildesheim design affected the concept of Gniezno door in Poland. Of others in South Italy and Sicily, the following are the finest: in Sant Andrea, Amalfi (1060); Salerno (1099); Canosa(1111); Troia, two doors (1119 and 1124); Ravello (1179), by Barisano of Trani, who also made doors for Trani cathedral; and in Monreale and Pisa cathedrals, by Bonano of Pisa. In all these cases the hanging stile had pivots at the top and bottom. The exact period when the hinge was substituted is not quite known, but the change apparently brought about another method of strengthening and decorating doors, viz, with wrought-iron bands of infinite varieties of design. As a rule three bands from which the ornamental work springs constitute the hinges, which have rings outside the hanging stiles fitting on to vertical tenons run into the masonry or wooden frame. There is an early example of the 12th century in Lincoln; in France the metal work of the doors of Notre Dame at Paris is perhaps the most beautiful in execution, but examples are endless throughout France and England. Returning to Italy, the most celebrated doors are those of the Battistero di San Giovanni (Florence), which together with the door frames are all in bronze, the borders of the latter being perhaps the most remarkable: the modeling of the figures, birds and foliage of the south doorway, by Andrea Pisano (1330), and of the east doorway by Ghiberti (1425–1452), are of great beauty; in the north door (1402–1424) Ghiberti adopted the same scheme of design for the paneling and figure subjects in them as Andrea Pisano, but in the east door the rectangular panels are all filled, with bas-reliefs, in which Scripture subjects are illustrated with innumerable figures, these being probably the gates of Paradise of which Michelangelo speaks. The doors of the mosques in Cairo were of two kinds; those which, externally, were cased with sheets of bronze or iron, cut out in decorative patterns, and incised or inlaid, with bosses in relief; and those in wood, which were framed with interlaced designs of the square and diamond, this latter description of work being Coptic in its origin. The doors of the palace at Palermo, which were made by Saracenic workmen for the Normans, are fine examples and in good preservation. A somewhat similar decorative class of door to these latter is found in Verona, where the edges of the stiles and rails are beveled and notched. In the Renaissance period the Italian doors are quite simple, their architects trusting more to the doorways for effect; but in France and Germany the contrary is the case, the doors being elaborately carved, especially in the Louis XIV and Louis XV periods, and sometimes with architectural features such as columns and entablatures with pediment and niches, the doorway being in plain masonry. While in Italy the tendency was to give scale by increasing the number of panels, in France the contrary seems to have been the rule; and one of the great doors at Fontainebleau, which is in two leaves, is entirely carried out as if consisting of one great panel only. The earliest Renaissance doors in France are those of the cathedral of St. Sauveur at Aix (1503). In the lower panels there are figures 3 ft (0.91 m). high in Gothic niches, and in the upper panels a double range of niches with figures about 2 ft (0.61 m). high with canopies over them, all carved in cedar. The south door of Beauvais Cathedral is in some respects the finest in France; the upper panels are carved in high relief with figure subjects and canopies over them. The doors of the church at Gisors (1575) are carved with figures in niches subdivided by classic pilasters superimposed. In St. Maclou at Rouen are three magnificently carved doors; those by Jean Goujon have figures in niches on each side, and others in a group of great beauty in the center. The other doors, probably about forty to fifty years later, are enriched with bas-reliefs, landscapes, figures and elaborate interlaced borders. NASAs Vehicle Assembly Building at the Kennedy Space Center contains the four largest doors. The Vehicle Assembly Building was originally built for the assembly of the Apollo missions Saturn vehicles and was then used to support Space Shuttle operations. Each of the four doors are 139 meters (456 feet) high. The oldest door in England can be found in Westminster Abbey and dates from 1050. In England in the 17th century the door panels were raised with bolection or projecting moldings, sometimes richly carved, round them; in the 18th century the moldings worked on the stiles and rails were carved with the egg and tongue ornament.
Types of mechanism Door : Hinged doors Most doors are hinged along one side to allow the door to pivot away from the doorway in one direction, but not the other. The axis of rotation is usually vertical. In some cases, such as hinged garage doors, the axis may be horizontal, above the door opening. Doors can be hinged so that the axis of rotation is not in the plane of the door to reduce the space required on the side to which the door opens. This requires a mechanism so that the axis of rotation is on the side other than that in which the door opens. This is sometimes the case in trains or airplanes, such as for the door to the toilet, which opens inward. Most doors are hinged along one side to allow the door to pivot away from the doorway in one direction, but not the other. The axis of rotation is usually vertical. In some cases, such as hinged garage doors, the axis may be horizontal, above the door opening. Doors can be hinged so that the axis of rotation is not in the plane of the door to reduce the space required on the side to which the door opens. This requires a mechanism so that the axis of rotation is on the side other than that in which the door opens. This is sometimes the case in trains or airplanes, such as for the door to the toilet, which opens inward. Rotating doors A revolving door has several wings or leaves, generally four, radiating from a central shaft, forming compartments that rotate about a vertical axis. A revolving door allows people to pass in both directions without colliding, and forms an airlock maintaining a seal between inside and out. A pivot door, instead of hinges, is supported on a bearing some distance away from the edge, so that there is more or less of a gap on the pivot side as well as the opening side. In some cases the pivot is central, creating two equal openings. High-speed door A high-speed door is a very fast door some with opening speeds of up to 4 m/s, mainly used in the industrial sector where the speed of a door has an effect on production logistics, temperature and pressure control. high-speed clean room doors are used in pharmaceutical industries for the special curtain and stainless steel frames. They guarantee the tightness of all accesses. The powerful high-speed doors have a smooth surface structure and no protruding edges. Therefore, they can be easily cleaned and depositing of particles is largely excluded. High-speed doors are made to handle a high number of openings, generally more than 200,000 a year. They need to be built with heavy-duty parts and counterbalance systems for speed enhancement and emergency opening function. The door curtain was originally made of PVC, but was later also developed in aluminium and acrylic glass sections. High Speed refrigeration and cold room doors with excellent insulation values was also introduced with the Green and Energy saving requirements. In North America, the Door and Access Systems Manufacturing Association (DASMA) defines high-performance doors as non-residential, powered doors, characterized by rolling, folding, sliding or swinging action, that are either high-cycle (minimum 100 cycles/day) or high-speed (minimum 20 inches(508 mm)/second), and two out of three of the following: made-to-order for exact size and custom features, designed to be able to withstand equipment impact (break-away if accidentally hit by vehicle) or designed to sustain heavy usage with minimal maintenance. Automatic Door Automatically opening doors are powered open and closed either by electricity, spring, or both. There are several methods by which an automatically opening door is activated: A sensor detects traffic is approaching. Sensors for automatic doors are generally: A pressure sensor – e.g., a floor mat which reacts to the pressure of someone standing on it. An infrared curtain or beam which shines invisible light onto sensors; if someone or something blocks the beam the door is triggered open. A motion sensor which uses low-power microwave radar for the same effect. A remote sensor (e.g. based on infrared or radio waves) can be triggered by a portable remote control, or is installed inside a vehicle. These are popular for garage doors. A switch is operated manually, perhaps after security checks. This can be a push button switch or a swipe card. The act of pushing or pulling the door triggers the open and close cycle. These are also known as power-assisted doors. In addition to activation sensors automatically opening doors are generally fitted with safety sensors. These are usually an infrared curtain or beam, but can be a pressure mat fitted on the swing side of the door. The purpose of the safety sensor is to prevent the door from colliding with an object in its path by stopping or slowing its motion.A mechanism is set in modern automatic doors to ensure that door will be in open state in case of power failure. Others Up-and-over or overhead doors are often used in garages. Instead of hinges it has a mechanism, often counterbalanced or sprung, that allows it to be lifted so that it rests horizontally above the opening. A roller shutter or sectional overhead door is one variant of this type. A tambour door or roller door is an up-and-over door made of narrow horizontal slats and rolls up and down by sliding along vertical tracks and is typically found in entertainment centres and cabinets. Inward opening doors are doors that can only be opened (or forced open) from outside a building. Such doors pose a substantial fire risk to occupants of occupied buildings when they are locked. As such doors can only be forced open from the outside, building occupants would be prevented from escaping. In commercial and retail situations manufacturers have included in the design a mechanism that allows an inward opening door to be pushed open outwards in the event of an emergency (which is often a regulatory requirement). This is known as a breakaway feature. Pushing the door outward at its closed position, through a switch mechanism, disconnects power to the latch and allows the door to swing outward. Upon returning the door to the closed position, power is restored. Rebated doors, a term chiefly used in Britain, are double doors having a lip or overlap (i.e. a Rabbet) on the vertical edge(s) where they meet. Fire-rating can be achieved with an applied edge-guard or astragal molding on the meeting stile, in accordance with the American Fire door. Evolution Door is a trackless door that moves in the same closure level as a sliding door. The system is an invention of the Austrian artist Klemens Torggler. It is a further development of the Drehplattentür [de] that normally consists of two rotatable, connected panels which move to each other when opening.
A door is a panel that makes an opening in a building, room or vehicle. Doors are usually made of a hard, impermeable, and hard-to-break substance (such as wood or metal), but sometimes consisting of a hard frame into which windows or screens have been fitted. Doors are often attached by hinges to a frame. Doors make ingress into or egress from a building, room, or vehicle easier to manage. The panel may be moved in various ways (at angles away from the frame, by sliding on a plane parallel to the frame, by folding in angles on a parallel plane, or by spinning along an axis at the center of the frame) to allow or prevent ingress or egress. In most cases, a doors interior matches its exterior side. But in other cases (e.g., a vehicle door) the two sides are radically different. Often doors have locking mechanisms to ensure that only some people can open them. Doors can have devices such as knockers or doorbells by which people outside can announce their presence and summon someone either to open the door for them or give permission to open and enter. Apart from providing access into and out of a space, doors can have the secondary functions of ensuring privacy by preventing unwanted attention from outsiders, of separating areas with different functions, of allowing light to pass into and out of a space, of controlling ventilation or air drafts so that interiors may be more effectively heated or cooled, of dampening noise, and of blocking the spread of fire. Doors may have aesthetic, symbolic, ritualistic purposes. To be given the key to a door can signify a change in status from outsider to insider. Doors and doorways frequently appear in literature and the arts with metaphorical or allegorical import as a portent of change.
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